Faculty

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Barclay Gibbs is the Owner and Artistic Director of the Dance Conservatory of Maryland (DCM). Barclay received her early dance training at the Peabody Preparatory, Towson University's Children's Dance Division, the Baltimore School for the Arts, and the Central Pennsylvania Youth Ballet. As part of her training in the Royal Academy of Dance syllabus, Barclay completed both the Advanced Ballet and Solo Seal examinations. Barclay performed professionally with Ballet British Columbia in Vancouver, Canada and with Charleston Ballet Theater in South Carolina. Barclay has performed in many classical ballets as well as in works by leading choreographers such as Jill Bahr, John Alleyne, George Balanchine and Paul Taylor. Barclay received a Bachelor of Fine Arts (BFA) degree in Dance Performance graduating summa cum laude from Towson University. Barclay has taught and choreographed ballet and modern dance at schools throughout the mid-atlantic area including the Central Pennsylvania Youth Ballet, Towson University’s Children’s Dance Division, Baltimore Ballet, and the Peabody Preparatory of Johns Hopkins before joining Ballet Chesapeake in 2008, and becoming the the owner of the Dance Conservatory of Maryland in 2011. 

Kait Weber received her early dance training at The Dance Center, the official school of the Brandywine Ballet.  She went on to train at the Washington Ballet, Pennsylvania Governor’s School for the Arts, and Wilmington Academy of Dance.  Kait is a graduate of Towson University where she earned her BA in Mass Communications as well as pursued the Dance Performance major, graduating Cum Laude.  While an honors scholarship recipient at Towson, she performed with the Towson University Dance Company and performed lead roles in the Nutcracker as well as several other classical and contemporary works.  She also performed with the Baltimore Ballet in various productions and taught ballet, modern and jazz at the school for five years. Kait joined DCM and Ballet Chesapeake in 2010.

Diane Brown studied ballet as a child at the Ellen Price Eckhardt Ballet School. In 1983 she began teaching ballet and creative movement for the Jarrettsville Recreation Council.  She studied modern dance at the Baltimore County Gifted and Talented Camp under Leslie Weiss Timos.  And studied jazz and tap at the Wally Saunders Dance School.  While there she also studied ballet with Edward Stewart and Barbara Miller.  She was asked to join the Wally Saunders Dance Company in 1982, and performed with them through 1984. Miss Diane entered Towson State University in the fall of 1983 on a dance scholarship and performed with the Towson State University Dance Company While a dance major at Towson, she studied ballet with Edward Stewart, Camille Izard, and Helene Brezeale.  She studied modern with Andrea Lewis and Dottie Fried, and jazz with Patty Corday. Following knee surgery, she switched her major and received a bachelor’s degree in Health Science with a minor in Psychology in 1988.  Her course work included anatomy and physiology, early childhood development, and program planning.  In addition to her career as a health and wellness counselor, she taught ballet, jazz and creative movement at Harford Dance Center before joining the Dance Conservatory staff in 2000.   

Algernon J. Campbell is originally from Savannah, GA. He began his dance training in Atlanta, GA, while attending Morehouse College, at The Ballethnic Academy of Dance where he was an apprentice. He has been taught by Sarah Yarborough, Stephanie Dabney, Kenneth Green, and other well-respected teachers. After graduating, he was accepted to the Ailey School Certificate Program where he graduated with a Certificate in Dance. He has performed at the Metropolitan Opera House, the State Theatre in Lincoln Center, and traveled to Japan to perform in Osaka. He danced with the Dallas Black Dance Theatre for 4 seasons where he had the opportunity to dance the works of Donald McKayle, Donald Byrd, Yuriko, Fred Benjamin, David Parsons, and many others. He teaches, choreographs, and performs in the Baltimore Area with Full Circle Dance Company and Morton Street Dance Center.

Gail Melfi began her early ballet training in her home state of California. Under the direction of Rose Ann Sayler, she studied at the Menlo Park Academy of Dance, Silicon Valley. As a scholarship student, Ms. Melfi completed her formal training at the San Francisco Ballet School under the direction of Richard Cammack and faculty including Anatole Vilzak.  Ms. Melfi began her professional career with Ballet Pacifica, Laguna Beach, founded by Lila Zali of Col. De Basil’s Ballet Russe. She studied under the private guidance of Natalia Krassovska. She then joined the San Antonio Ballet Company, directed by Vladimir Marek, dancing the company’s repertoire including Michael Uthoff’s Coral of the Sun,  and Alberto Ginastern’s Concerto for Harp. Ms. Melfi was later invited to join the Cincinnati Ballet Company under the direction of David McLain and David Blackburn, performing classics such as Nutcracker, Coppelia, Swan Lake Act II, Giselle, Peter and the Wolf, Hansel and Gretel, Les Syphides, Sleeping Beauty, and  George  Balanchine’s Serenade and Concerto Borocco. Ms. Melfi worked with legendary Frederic Franklin in his setting of Tribute and Pas de Dix. Additionally, she performed Daniel Levan’s Concert Waltzes and David McLain’s Concert for Organ, Strings & Timpani and Winter’s Traces.  Following her move to Baltimore, Ms. Melfi joined the Maryland Ballet Company, directed by Petrus Bosman of the Royal Ballet. In addition to the company’s classical works, she performed contemporary choreography including Lambros Lambro’s Sun Dances. Once again, Ms. Melfi had the honor of working with Frederic Franklin while performing Monotones I and II, and Napoli.  Presently, Ms. Melfi is a faculty member of Dance Conservatory of Maryland, Towson University and Sudbrook Arts Centre. She joined the faculty of Peabody Dance in 2014.  

Holly Mora, a native of Enola, PA, received her early training in Harrisburg, PA, and New York, NY. She has also studied at Shippensburg University and Western Kentucky Collge. Ms. Mora began her dedication to the teaching of dance in 1972 when she founded her school, now known as the Capital Area Dance School.  Many of her students have gone on to professional careers in renowned dance companies throughout the United States, including Alvin Ailey American Dance Theatre, the Joffrey Ballet of Chicago, Miami City Ballet, the Jamison Project, and the Dayton Ballet. Ms. Mora has contribued to the artistic atmosphere in her community as the Founding Director of Cumberland Dance Company, which she established in 1988. Additionally, she has volunteered her time to help with physically challenged youth and young adults. Through the Arts in Special Education Project of Pennsylvania and other programs, she incorporated dance into a class for special needs children. Ms. Mora's contributions to arts education in Pennsylvania have been recongnized by The Pennsylvania Alliance for Arts Education in 1993, and by her 1999 nomination by the the Pennsylvania Council on the Arts and the Department of Education for "Best Practice in Teaching Arts in Education." In addition to continuing her work at the Capital Area Dance School, Ms. Mora is currently on the dance faculty at Harrisburg Area Community College, Greater York Center for Dance Education, and the Peabody Preparatory.

Shana O’Brien has been a faculty member at DCM since 2002, teaching ballet, jazz, tap and modern dance. A graduate of Goucher College with a degree in dance performance and choreography, Shana has performed in works set by dance professionals such as Steven Mills of Ballet Austin, Rachel Berman, formerly of Paul Taylor Dance Company, and Jean-Pierre Bonnefoux and Christopher d’Amboise, both former principals with New York City Ballet. She has presented choreography in many diverse venues including the American College Dance Festival, the Maryland Council for Dance Choreographer’s Showcase, and the Youth America Grand Prix ballet competition. In addition to her training as a student at DCM, Shana has studied under Marilyn Gaston at the Ballet Academy of Baltimore, Laura Dolid of the Sudbrook Arts Center, and at the Rock School of the Pennsylvania Ballet. She has experience performing in such varied settings as the Nutcracker at the Lyric Opera House, musicals in regional dinner theater, and competitions held by Dance Masters of America.

Anita Samek is a current student at Community College of Baltimore County Essex pursuing her A.F.A in Dance. Anita has studied primarily ballet, tap, and jazz at several dance programs/studios including Perry Hall Dance and A Step Ahead Dance Studio. She started as a teacher's assistant for Perry Hall Dance and was promoted the following year to an instructor. Anita specializes in tap, aided by 15 years of training and experience in instrument and music-related subjects. 

Ashley Spears is a graduate of the Baltimore School for the Arts where her extensive ballet training has been in Vaganova, RAD, Cecchetti and Balanchine. She has studied the modern and jazz techniques of Graham, Cunningham, Horton, Fosse, Giordano, and Limone. After high school, Ashley moved to New York City to train as an apprentice to The Joffrey Ballet. In 2002, Ashley spent the summer at the Institute Nationale a Rouen in France studying both French language and culture as well as dance. Ashley is a graduate of Towson University with a major in English and a minor in French and is currently persuing further education towards physical therapy certification.

Jessica Treherne began her ballet training with Judy Daniel at Upper Falls Dance Academy and Michelle White at Harford Dance Theatre.  She continued her training at Baltimore School for the Arts, and Central PA Youth Ballet.  Jessica has also studied at Pittsburgh Ballet Theatre, American Ballet Theatre and San Francisco Ballet.  She is a graduate of the UNC School of the Arts, where she trained under world-renowned teachers Melissa Hayden, Warren Conover and Gyula Pandi.  Jessica has performed in works by John Clifford, Wes Chapman, Paul Vasterling Fernando Bujones, Hinton Battle, Susan McCullough, Marius Petipa, August Bournonville and George Balanchine, among others. In 1999 she was invited to appear with the Hungarian National Ballet in Budapest.  Jessica is the recipient of several certificates of honor and distinction granted by England’s Royal Academy of Dance.  She has performed with Carolina Ballet, Nashville Ballet, and American Ballet Theatre Studio Company. Jessica has been on the faculty of the Greater Dover Dance Academy, Cedar Lake Contemporary Dance Ensemble, Upper Falls Dance Academy, Harford Dance Theatre, and the School of the Washington Ballet.

Paul Wegner received his bachelor’s degree cum laude from the University of Maryland. After training with Thomas Hanner, and on full scholarship with the Pennsylvania Ballet School, School of Richmond Ballet and Nutmeg Ballet, Paul went on to dance professional for several years with the Charleston Ballet Theater and to guest with Tampa Ballet, Buffalo Ballet Theater and Ft. Wayne Ballet. Since retiring from the stage over 10 years ago, he has worked as a full- time ballet instructor. Paul is coming to DCM from the Arlington Dance Center in Virginia.